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Record of the Miaoyan Monastery, ca. 1309–10. Zhao Mengfu (Chinese, 1254–1322). Handscroll; ink on paper. The Art Museum, Princeton University,
Bequest of John B. Elliott.
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The Embodied Image: Chinese Calligraphy from the John B. Elliott Collection
September 15, 2000–January 7, 2001
Douglas Dillon Galleries, 2nd floor
The Elliott Collection of Chinese calligraphy is perhaps the finest outside Asia, spanning the period from the inception of writing as a fine art in the fourth century to the modern era. This exhibition of more than fifty-five hanging scrolls, handscrolls, and album leaves from the Elliott collection, accompanied by a nearly equal number of selections from the Metropolitan's renowned John M. Crawford Collection Jr. and private collections, constitutes the most important display of calligraphy ever assembled in the West.
The exhibition was organized by The Art Museum, Princeton University.
The exhibition was made possible by the Publications Committee of the Department of Art and Archaeology, Princeton University, the National Endowment for the Arts, The Henry Luce Foundation, Inc., The Andrew W. Mellon Foundation, Martha Sutherland Cheng, the Joint Committee on Chinese Studies of the American Council of Learned Societies, and the Social Sciences Research Council; and anonymous donors.
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